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Mr. May
The dandelion
snow
amassed
along curbs,
before parking blocks,
and settled
into cloistered pockets
of the pedicured lawn,
where, with studied solemnity,
the commencement tent
mewed
on the hill
above the haven.
. . .
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Eric Lowe ’28
A man wakes up under the sun, though nothing calls his name.
A man’s room is small. A man sits at the edge of the bed and looks at himself. A man’s hands have built nothing, or maybe they have built something invisible. A man doesn’t know which is worse.
. . .
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Annabel O’Malley ’28
The sun hits the flowers
And they shine
A shade of pink
So rare it’s almost
Undefined
But fleeting?
. . .
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Timothy Edwards ’28
Another knock! I shall not show surprise.
I know that rhythmic hate behind their guise.
Stand where you are! The chain stays on the door.
Your presence marks the marble ‘cross my floor.
. . .
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Sarah Li ’30
It melted
It melted slowly, painfully, endlessly
The igniter turned off with a satisfied hiss
Then silence
As if it were admiring its own masterpiece
She screamed
She grabbed frantically at the people around her
Her friend from high school
Her favorite teacher
Her sister
Her dad
None of them spared even a look
. . .
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Lora Kenyon ’28
The school provides a basket of oranges every day. I am an island, breaking the waves of students as I contemplate the gleaming fruits. Under the gentle lights, their protective rinds take on an artificial glow– despite their ostensible natural identity. That color is too bright to be real, too beautiful to come from Mother Nature. They should not be so uniformly appealing. Each little stem has been perfectly severed like an umbilical cord. Their countless pores are hiding secret chemicals, and I can imagine the curated smell that would aerate as I rip away their skin.
. . .
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Ashley Deng ’26
By now, word has spread around the city that you have been chosen as the successor of Ellison & Rowe, the world’s single dominating business in the finance corporation.
When you first receive the phone call from Mr. Whitmore, the legal counsel of E&R and a well-known gentleman who was involved with the corporation for so long that he has become somewhat of a public figure, you rub your eyes and check your phone again before answering, hands trembling.
. . .
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Ruby Meyers '26
A pause
breaks the silence created in degrees,
layered up in edges and vertices: connections.
A path may lead to a sum of none,
so simple relations may never overcome
gaps set throughout, predefined by glaring differences.
However, those discrepancies come together, meeting on
edges — subtraction becomes a foundation for insights:
A diversity, illuminating inventiveness in everyone.
. . .
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Ella McCormick ’28
Mrs. Confine hurried down the barren street, eyes fixed on the black door a few buildings down. It was a cool January evening, the 11th to be exact. The snow on the ground was beginning to freeze over, no longer fresh and powdery but gray and stiff. The plowed snow bunched up near the curbs, brown with the dirt of the city. The icy air was making her eyes water, so she adjusted her red scarf and pulled her coat tighter. Across the road, she spotted an officer. They don’t exactly try to conceal themselves, she thought. Yellow is such an odd color for uniforms. The officer waved, then returned to his watch. Nearing the door, she looked up at the surveillance camera. The sign below it read, “Smile, you’re on camera.”
. . .
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Theodore Covaci ’28
Brimming with amber, the sun spills over the city’s skyline. But even as it bleeds onto the streets, the runners do not slow their paces. Children merely nibble at their melting ice cream cones, and beggars continue to lay their heads against the sidewalk.
Adam, too, feels sweat dribble down his neck; through his blazer, the metal bench sears his back. Still, he tugs at his dress shirt’s collar, sipping his steaming Americano. His ham sandwich lies beside him, stiff and half-eaten.
. . .
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Aileene Lee ’28
there is no word for this great tragedy
that clouds our life and death for at its heart
the painting shows a harsh reality
to us remember we will all depart
the center only is a larger splash
it seems the painter left it in neglect
and others pass on by all in a flash
so thus i wish to leave all for respect
and yet this image makes me stop, and think
of all the soldiers at the edges for
i dare not move for fear that i may blink
and cause them to continue their great war
oh woe to those poor people who have died
in that one great collective suicide.
. . .
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Avery Kinney ’29
I used to dance in the rain puddles,
with soaked sneakers,
the rainbow polka dots on my
umbrella bleeding
into each other.
back then,
i believed that
the world knew how
to live in harmony.
. . .
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Naomi Schwartz ’28
Aging white stucco crumbled off the side of the house at the end of the cul-de-sac. Inside, the living room smelled of dust and instant noodles, the beige couch sagging downwards toward the center of a stained, gray rug that suffocated the hardwood floor underneath. A 30-inch TV hung crooked above a fireplace covered in layers of ash. Floral, mustard wallpaper crowded the walls, its bird-patterned canopy watching silently, their glassy eyes fixed in a constant surveillance. In the hallway, the attic trapdoor sagged in the ceiling, its dangling string, brittle with age, swaying slightly whenever the heat kicked on.
. . .
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Isha Seth ’28
Exiting the airport, I feel the heat squirming against my skin. I hear people all around me speaking, and they form sounds I’ve heard all my life but can barely understand. Shaggy dogs sleep in the shade if they can find it, on the burning ground if they can’t. It’s busy in a way that would seem unorganized back home, but here the constant motion nestles itself comfortably in the honking cars and the streets of shops packed haphazardly one on top of the other. Each piece of this place fits together seamlessly even though it feels like it shouldn’t.
“Where are we going now?” I ask my parents.
“Home,” replies my mother.
. . .
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Malini Parikh ’28
Daystar once again hosted our annual Haiku Contest. A haiku is a 3-line poem, where the first and last lines have five syllables and the second line has seven syllables.
. . .